From Will to Form

the title of Isadora Vaughan’s large wave-like sculpture suggests, Canker Sore, 2018, is an angry opening to an exhausted landscape. The work articulates this porous connection between the energies of matter and the open body.

Held in the body, flung through the air, or drawn from the soil. What if art is action made solid?

From throwing liquid bronze to whistling for three days straight, the TarraWarra Biennial 2018: From Will to Form considers how the wild, intangible forces that animate behaviour might be present within an artwork.

For the sixth TarraWarra Biennial, 23 artists and one artist group from across Australia will present anarchic and persistent energies in a range of sculpture, painting, performance and film works. For some, ‘will’ is drawn from a relationship to country and earth, for others it is located in the depths of the psyche, while other works highlight the role of the body as both a conduit or concealer of willful forces.

These manifestations include 19 new commissions, performance events and works that refigure the spaces of TarraWarra itself, including Bidjara artist Dale Harding’s site-specific wall painting on the renowned 45-metre Vista Walk wall as well as new work from Vicki Couzens, Claire Lambe, Michelle Ussher, Mike Parr and Rob McLeish among many others.

Established in 2006 as a platform for identifying new contemporary and cutting-edge work, the TarraWarra Biennial has become a major forum for artistic expression in Australia.

From Will to Form is accompanied by a range of performances, artist talks and a comprehensive catalogue, providing audiences with a variety of contemporary art experiences.

Performances and talks will take place in the gallery during the weekend of 3 August and exhibitions will run until November.